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This is a post by Pharos co-founder Sherry Irvine.
It is with some embarrassment that I confess that so many months have passed since my first article on getting back to my family history – to making a start at writing. Not much has happened in the way of writing, but I have not been idle: I have taken the time to think about the project and stumbled upon things that help me conjure up ideas.
The time available has been limited. I should have expected that now that moving closer to grandchildren would have an impact on allocating time. Those hours I have found have been devoted to what can only be called preliminaries. It took several months settle into our new home, but we have progressed to the point where just about everything is either out of boxes or in readily accessible clearly labelled boxes. Fortunately there are not many of the latter and I have put all the family albums and loose photographs into one cabinet and part of another. I know what is where. Also, I know that I can spread things out and leave them should that be necessary. Mind you, it can be only one project at a time. Right now I am doing some sewing, so the machine stays where it is for another week or two.
I went through the photo album for my father’s early years, 1918 to 1925. The pictures tell only part of the story, numerous though they may be. My notes, or those by my father, lack certain essential details: where did they live once the family, with my infant father, moved back to Toronto from Winnipeg in 1918? Obviously, some modern family history has been neglected.
The photo albums show one thing I know from my own childhood. He was surrounded by women. Most of the pictures were taken by one or more of my grandmothers sisters, whom we called collectively “The Aunts”. They were younger than my grandmother, only one of them married but had no children, and my father was an only child. His father and mother were over 40 when he was born.
He was the centre of attention not only for his mother and her sisters, but for his grandmother and his one and only cousin, a girl ten years older.
He had a happy childhood, at least until he was a teenager in the hard years of the Depression. His father, an architect, was a man of many practical talents, and the summers at a cottage offered opportunities to mess about in boats, learn some mechanics, and mix with a wide range of people.
How do I show all that and more in an interesting manner that somehow is just the right length for young and old? And, most difficult of all how do I do next? (To encourage myself, I have decided that the organizing of photos and albums, the creation of a work space, and the review of the first album of my father’s life, are legitimate progress.)
Happenstance has come to my aid – I have found something that undertakes to explain scrap-booking in 60 illustrated pages. It seems quite out of character for me to be reading something like this, but I do see the relationship. Some of the advice makes good sense: for example, sort photographs by themes and then by logical groups. My theme is obvious, my father’s life, my groups of photos can be stages of his life: the number of groups does not matter as much as getting things sorted. This exercise turns the pictures into a means of creating an outline that will help me judge what to use, how much to write, and how to make it all look interesting. I can return to the easy-read scrap-booking guide to help me plan. At that point I am on familiar ground, as I have done a lot of planning as a genealogist. After all it is fundamental to good research, to writing a book, or preparing a lecture.
I am heading for firm ground.